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UID:20240903T1215Z-1725365707.1836-EO-22850-25@10.19.146.14
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SUMMARY: Sawchen Lecture: Elena Baraban “Why Did Anna Go to the Opera? The 
 Question of Authenticity in Leo Tolstoy’s Anna Karenina”
DESCRIPTION: Join us on October 15 at 12:30 pm Pacific Time for another onl
 ine Sawchen Lecture. Focusing on the theme of ‘dissent’\, CENES welcomes Dr
 . Elena Baraban from the University of Manitoba. Title: Why Did Anna Go to 
 the Opera? The Question of Authenticity in Leo Tolstoy’s Anna Karenina Abst
 ract: Many interpreters commend Leo Tolstoy for […]
X-ALT-DESC;FMTTYPE=text/html: <p>[caption id="attachment_23029" align="alig
 nnone" width="1920"]<img class="wp-image-23029 size-full" src="https://cene
 .cms.arts.ubc.ca/wp-content/uploads/sites/25/2024/09/WEB_BARABAN_NO-QR.jpg"
  alt="" width="1920" height="1080" /> Orest Vereiskii. Illustration to the 
 novel Anna Karenina (1975)[/caption]</p><h3>Join us on October 15 at 12:30 
 pm Pacific Time for another online Sawchen Lecture. Focusing on the theme o
 f 'dissent'\, CENES welcomes <a href="https://umanitoba.ca/arts/elena-barab
 an">Dr. Elena Baraban</a> from the University of Manitoba.</h3><p><strong>T
 itle:</strong> Why Did Anna Go to the Opera? The Question of Authenticity i
 n Leo Tolstoy’s <em>Anna Karenina</em></p><p><strong>Abstract:</strong> Man
 y interpreters commend Leo Tolstoy for substantiating feminist positions in
  <em>Anna Karenina</em>. The critics argue that\, despite his intentions to
  depict Anna negatively\, Tolstoy has created an admirable heroine who chal
 lenges 19th-century social norms. Anna is thus to be admired for her moral 
 integrity\, as she leaves her husband to live openly with her lover in orde
 r to be true to herself. In this talk\, Baraban argues the opposite: Anna’s
  affair leads to the loss of her self-acceptance and authenticity. An analy
 sis of key scenes and narrative techniques reveals that Tolstoy's title cha
 racter both plays a role of an ill-fated adulterous woman and acts like a t
 heatre director in relation to other characters. Whereas in Joe Wright’s 20
 12 screen adaptation of <em>Anna Karenina</em> theatricality is used to bla
 me society for Anna’s demise\, in the narrative by Tolstoy\, the motifs of 
 role-playing and theatre help to contrast authentic and inauthentic charact
 ers\, underscoring the heroes’ responsibility for their actions.</p><h3>Abo
 ut the Speaker</h3><p>Elena Baraban is Professor of Russian Studies and Coo
 rdinator of Central and East European Studies at the University of Manitoba
 . Her publications include <em>The Akunin Project</em>: <em>The Mysteries a
 nd Histories of Russia’s Best-Selling Author</em> (U Toronto Press\, 2021)\
 , co-edited together with Stephen M. Norris\; <em>Fighting Words and Images
 : Representing War across the Disciplines</em> (UTP\, 2012)\, co-edited tog
 ether with Stephan Jaeger and Adam Muller\; articles on literature and cine
 ma\, especially on representations of Ukraine\, the Civil War\, and WWII. B
 araban has published in <em>Ab Imperio\, Ukraina Moderna\, Slavic and East 
 European Studies Journal\, Canadian Slavonic Papers</em>\, and other peer-r
 eviewed journals.</p><h3>Watch Elena Baraban’s Lecture Online:</h3><p>Misse
 d the lecture on October 15th? You can <a href="http://hdl.handle.net/2429/
 90538">access the video and audio recording</a> on UBC’s cIRcle database.</
 p>
CATEGORIES:Featured Events,Featured Homepage,Featured Modern European Studies,Featured Russian,Featured Slavic Studies,Featured Undergraduate
LOCATION:Online
GEO:49.260872;-123.113952
URL;VALUE=URI:https://cenes.ubc.ca/events/event/sawchen-lecture-elena-barab
 an-why-did-anna-go-to-the-opera-the-question-of-authenticity-in-leo-tolstoy
 s-anna-karenina/
ATTACH;FMTTYPE=image/jpeg:https://cene.cms.arts.ubc.ca/wp-content/uploads/sites/25/2024/09/Baraban_Featured-Image-1.jpg
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