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UID:20211005T2204Z-1633471490.7742-EO-18210-25@10.19.146.1
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SUMMARY: “Winnetou\, White Innocence\, and Settler Time” by Dr. Maureen Gal
 lagher
DESCRIPTION: In this virtual event\, Dr. Maureen Gallagher (Australian Nati
 onal University) critically examines cinematic adaptations of Karl May’s or
 iginal 1893 trilogy Winnetou. This event is co-sponsored by the Waterloo Ce
 nter for German Studies.
X-ALT-DESC;FMTTYPE=text/html: <p>In this virtual event\, Dr. Maureen Gallag
 her (Australian National University) critically examines cinematic adaptati
 ons of Karl May’s original 1893 trilogy Winnetou. This event is co-sponsore
 d by the Waterloo Center for German Studies.</p><p>View the recording of th
 is talk here (access passcode 7uZA#&+e): <a href="https://ubc.zoom.us/rec/s
 hare/B-wEjzRpLO0UNLU4ieGgHWyC5q1f95YcrLlpDknJu4zz3gr0aFEyhqHIvkV8g7aC.rjUoQ
 -LeNRVte5Ww?startTime=1633723206000">https://ubc.zoom.us/rec/share/B-wEjzRp
 LO0UNLU4ieGgHWyC5q1f95YcrLlpDknJu4zz3gr0aFEyhqHIvkV8g7aC.rjUoQ-LeNRVte5Ww?s
 tartTime=1633723206000</a></p><p><strong>Title:</strong> “Winnetou\, White 
 Innocence\, and Settler Time” by Dr. Maureen Gallagher (Australian National
  University)</p><p><strong>Abstract:</strong> Proclaiming “every generation
  has its Winnetou\,” German network RTL ushered in the return of Winnetou t
 o German television with a big-budget film trilogy\, Winnetou–Der Mythos Le
 bt. This talk analyzes this 2016 Winnetou film trilogy in dialogue with the
  1960s West German westerns and Karl May’s original 1893 novel using concep
 ts from settler colonial studies\, Indigenous studies\, and critical race t
 heory to show how Winnetou centers whiteness. In the new Winnetou\, full of
  nostalgic call-backs to the 1960s film westerns\, the blood brotherhood re
 lationship between white German Old Shatterhand and Mescalero Apache Winnet
 ou becomes a way of forging connections not only across cultures but across
  temporal lines\, allowing for the imposition of settler time onto Indigeno
 us persons and the erasure of Indigenous sovereignty and survival. Understa
 nding the blood brotherhood within Winnetou as a kind of settler adoption f
 antasy allows us to understand how Winnetou centers a narrative of German i
 nnocence and reinscribes fantasies of white conquest in the American West.<
 /p><p><strong><img class="wp-image-18211 size-thumbnail alignleft" src="htt
 ps://cene.cms.arts.ubc.ca/wp-content/uploads/sites/25/2021/10/D24AA8F5-06D7
 -4E7D-898A-46933ECA2ACC-150x150.jpeg" alt="" width="150" height="150" />Bio
 :</strong> Maureen O. Gallagher is a Lecturer in German Studies at Australi
 an National University. She holds an MA from the University of Nebraska and
  a PhD in German Studies from the University of Massachusetts Amherst. Her 
 research interests in German Studies are in the areas of gender studies\, c
 ritical race theory and critical whiteness studies\, and postcolonialism an
 d decolonization. Recent publications have focused on inclusive and decolon
 ial pedagogy\, race and gender in German colonial literature\, and First Wo
 rld War literature\, and she is currently working on a book manuscript on w
 hiteness in Wilhelmine German youth literature and culture based on her dis
 sertation\, which was awarded the 2016 Women in German dissertation prize. 
 She is also on the authoring team of the online\, open access German curric
 ulum Grenzenlos Deutsch\, which has been supported by a grant from the Nati
 onal Endowment for the Humanities.</p>
CATEGORIES:Featured Events,Featured German,Featured Homepage
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DTSTART:20210314T100000
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