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UID:20220918T0559Z-1663480778.9478-EO-19540-25@10.19.146.14
STATUS:CONFIRMED
DTSTAMP:20260811T170704Z
CREATED:20220912T193730Z
LAST-MODIFIED:20221103T170202Z
DTSTART;TZID=America/Vancouver:20221017T123000
DTEND;TZID=America/Vancouver:20221017T133000
SUMMARY: Ziegler Lecture: Prof. Irmgard Scheitler-Schmidt\, “Martin Opitz’ 
 New Year’s Gift with Song”
DESCRIPTION: Join us on October 17 at 12:30pm for the virtual Ziegler Lectu
 re Series\, featuring Prof. Irmgard Scheitler-Schmidt of the University of 
 Würzburg\, Germany.
X-ALT-DESC;FMTTYPE=text/html: <p>Join us on October 17 at 12:30 pm Pacific 
 Time for the virtual Ziegler Lecture Series\, featuring Prof. Irmgard Schei
 tler-Schmidt of the University of Würzburg\, Germany.</p><p>View the record
 ing of this talk here:<br /><script src="https://open.library.ubc.ca/static
 file/build/embed/embed-media-av.js" data-elid="oc-i-10421631-0" data-itemid
 ="1.0421631" data-collectionid="63300" data-showmeta="false" data-width="au
 to" data-index="0" data-handle="undefined" async></script></p><div id="oc-i
 -10421631-0"></div><p><strong>Title:</strong> "Martin Opitz’ New Year’s Gif
 t with Song"</p><p><strong>Abstract:</strong> At the turn of the year 1623/
 24\, Martin Opitz published a song of praise honouring Christ’s birth in Ge
 rman Alexandrine verse: <em>Lobgesang Uber den Frewdenreichen Geburtstag Un
 seres Herren und Heilandes Jesu Christi</em> [Song of praise about the joyo
 us birthday of our Lord and Saviour Jesus Christ]. This example of eruditio
 n is also very personal: The author speaks about his troubles during the gr
 uesome Thirty Years War. It concludes with a Latin Sapphic ode petitioning 
 for absolution and peace. Scholars have never appreciated the ode’s functio
 n: It derives its full meaning from the intended melody\, which was well-kn
 own to the dedicatee.</p><p>Amazingly\, many poets copied Opitz in writing 
 epic-dramatic poems including song(s) to honour friends or superiors with a
  New Year’s dedication\; they imitated his motifs and even his title by way
  of “aemulatio”. When Opitz’ tendency towards dramatic representation and v
 isualisation is enhanced\, we find the work comes close to another musical 
 epic-dramatic genre\, the actus. We encounter this in several academic comm
 unities\, its finest example being a hardly known musical composition by Jo
 hann Rosenmüller to words by Johann Ziegler.</p><p><strong><img class="alig
 nleft wp-image-19541 size-thumbnail" src="https://cene.cms.arts.ubc.ca/wp-c
 ontent/uploads/sites/25/2022/09/csm_Foto_Scheitler_Neu_7e0c7c43cb-150x150.j
 pg" alt="" width="150" height="150" />Bio:</strong> Born in Munich\, Irmgar
 d Scheitler studied Catholic Theology\, German Language and Literature and 
 Byzantine Studies at the Ludwig Maximilian University in Munich. After comp
 leting her doctorate and habilitation\, she taught at the Technical Univers
 ity of Dresden. She was appointed Professor for German Literature at the Un
 iversity of Würzburg in 2002\, retiring in 2015. Her work and teaching cove
 r the whole range of Modern German Literature from Luther’s times to the 21
 st century\, with a decided focus on the relationship between music and lit
 erature.</p>
CATEGORIES:Featured Events,Featured German,Featured Homepage
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DTSTART:20220313T100000
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